Véronique Vienne


The Self-Taught Design Critic. [...]

Véronique Vienne was a magazine art director in the USA when she began to write to better analyze and understand the work of the graphic designers, illustrators and photographers who collaborated with her.

Today she writes books and conducts workshops on design criticism as a creative tool.

 

Voir, regarder, apprécier : tout un programme. [...]

Véronique Vienne a été directrice artistique aux USA avant de commencer a écrire pour mieux comprendre ce que faisaient les graphistes, illustrateurs et photographes avec qui elle collaborait.

Aujourd’hui elle écrit des livres et anime des sessions de travail sur la critique du design graphique comme outil de création.


Wild Card

Design Obeserver, 12.22.14


The collection of the Picasso Museum in Paris is comprised of a gift that the Picasso family made to the country to avoid paying inheritance tax in France. However, the museum isn't entrusted to adminster the reproduction rights of the works on its walls. Even the name of the Spanish master is the property of his heirs, which resulted in Byzantine negotiations when it came to designing a new logo for the famed Paris tourist destination. A fractured version of the word “Picasso,” it was recently introduced to coincide with the reopening of the museum after a controversial, $65-million, five-year renovation and expansion.

    The Paris design studio c-album is responsible for the museum’s new identity. They came up with a clever launch campaign featuring one of the few aspects of the collection that remained royalty-free and accessible: the titles of the artworks. Museum employees volunteered to be photographed and filmed sporting T-shirts printed with the titles of some of the most iconic paintings under the museum's stewardship. Clerks, janitors, guards, and curators stand poker-faced, like sentry, until they turn around, revealing what looks like a stolen postcard hidden behind their back.

    The former museum director, Anne Baldassari agreed to participate in the quirky campaign, even though she had recently been fired by the French Ministry of Culture over her unorthodox management style. In the museum's promotional video, she is seen upside down while her T-shirt reads right side up. The postcard she hides behind her back depicts the jester—Le Fou, a 1905 bronze by Picasso—a man who made a profession out of being a wild card.


1/3 -  The Picasso Museum in Paris reopened in 2014 following five years of renovations

1/3 - The Picasso Museum in Paris reopened in 2014 following five years of renovations

2/3 - The launch campaign featured employees hiding a postcard behind their back

2/3 - The launch campaign featured employees hiding a postcard behind their back

3/3 - C-Album is responsible for the new logo and the launch video

3/3 - C-Album is responsible for the new logo and the launch video